Film look plugins can’t tell which camera you shot your footage on, and so just apply a contrast curve and change the color. We can control how the color is decoded and make sure that each color is transformed to the correct film stock equivalent. Although, as co-founder Nigel Stanford states, there’s a little bit more to the plugin than other “film look” assets: The plugin, or standalone application, uses archival scans and algorithmic data to change the curve and color properties to make your footage appear like you shot it on one of many different types of film stock. So, let’s have a look at a few plugins that can take Resolve to the next level.įilmConvert, by Rubber Monkey, launched back in 2011 as a tool for emulating film stock. However, there may be a time where you need that extra bit of spice. However, one element that often gets missed is that Resolve can also accommodate plugins just like Premiere and After Effects. We often think of Resolve as a one-and-done application since it offers next to everything one might need to create a film.

Color-grading software, editing software, audio mixing platform, or compositor? That’s for you to decide. Many know Resolve as a professional color grading platform some know Resolve as a free non-linear editor and (since the release of v.14 & 15), we’ve also seen the introduction of dedicated audio and VFX pages with Fairlight and Fusion. It would be fair to say that Resolve has something of an identity problem. These plugins may be just what you’re looking for.

So you’re interested in working in Resolve, but you need a few more options.

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